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Bruce Willis and Tracy Morgan team up for the Warner Bros. police buddy movie Cop Out in this Kevin Smith-directed production. From a script by Robb and Mark Cullen, the picture focuses on a detective duo who investigate the disappearance of a baseball card.

A former member of the Ku Klux Klan, General Lee Roy, now owns and runs a fast food chain ‘American Chicken Bunker’. His new store is located on a site that was the burial ground of Native Americans. He has leased this franchise to an African-American, Denny, and has hired a Jew-hating/chicken-loving employee, Carl Jr.; a Burkha-clad Muslim woman, Humus; a Mexican, Jose Paco Bell; a male named Arbie, who is now called ‘Daisy’ amongst others. He attends the official opening of the store amidst protests from the local community of atrocities carried out on chickens, and the Indian burial grounds’ desecration. Watch what happens when Lee Roy decides to pacify the protesters with free chicken meat.

George and Nina seem like the perfect couple. They share a cozy Brooklyn apartment, a taste for tuna casserole dinners, and a devotion to ballroom dancing. They love each other. There’s only one hitch: George is gay. And when Nina announces she’s pregnant, things get especially complicated. Vince – Nina’s overbearing boyfriend and the baby’s father-wants marriage. Nina wants independence. George will do anything for a little unqualified affection, but is he ready to become an unwed surrogate dad?

Beth is a young, ambitious New Yorker who is completely unlucky in love. However, on a whirlwind trip to Rome, she impulsively steals some coins from a reputed fountain of love, and is then aggressively pursued by a band of suitors.

Intertwining couples and singles in Los Angeles break-up and make-up based on the pressures and expectations of Valentine’s Day.

A gang of five diverse oddball criminal types rent a two room apartment in an isolated house on a London cul-de-sac from an octogenarian widow with three pet parrots. The group’s mastermind, Professor Marcus, tells her a cover story that they are members of an amateur string quintet and would like to use the rooms to hone their musical skills. In reality, they are plotting to rob a bank and plan to use Mrs. Wilberforce’s naiveté and her Victorian sensibilities to their advantage.

Smash Cut is a satire of the filmmaking industry and the challenges of independent filmmaking, with a story that draws on the filmmakers’ real-life experiences. It follows the murderous exploits of Able Whitman, a horror-film director whose films are panned by critics and audiences alike – until he starts killing people and using their body parts as props in his new flick.

A pacifistic Rhode Island state trooper who’s too nice for his own good, develops split personality disorder with his alter ego being the complete opposite of everything he is in manner. Complications ensue when he’s assigned to escort a woman back to New York and ends up falling in love with her. But the woman has shady people on her trail who want to take her and now he, out of the picture.

Former CIA spy Bob Ho takes on his toughest assignment to date: looking after his girlfriend’s three kids, who haven’t exactly warmed to their mom’s beau. And when one of the youngsters accidentally downloads a top-secret formula, Bob’s longtime nemesis, a Russian terrorist, pays a visit to the family.

Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that intimately evokes both the fragility and wonders of family life. It follows a witty, wisecracking, action-oriented sportswriter (Academy Award® nominee and Golden Globe winner CLIVE OWEN) who, in the wake of his wife’s tragic death, finds himself in a sudden, stultifying state of single parenthood. With turbulent emotions swirling just below the surface, Joe Warr throws himself into the only child-rearing philosophy he thinks has a shot at bringing joy back into their lives: “just says yes.” Raising two boys – a curious six year-old (NICHOLAS MCANULTY) and a rebel teen (GEORGE MACKAY) from a previous marriage — in a household devoid of feminine influence, and with an unabashed lack of rules, life becomes exuberant, instinctual, reckless . . . and on the constant verge of disaster. United by unspoken love, conflicted by fierce feelings and in search of a road forward, the three multi-generational boys of the Warr household, father and sons alike, must each find their own way, however tenuous, to grow up. Their story is not just about the transforming power of a family crisis — but the unavoidable grace of everyday life and love that gets them through. Academy Award® nominee Scott Hicks (”Shine”) directs from a screenplay by Allan Cubitt based on the acclaimed 2001 memoir by Simon Carr, The Boys Are Back, an unflinchingly funny and honest recounting of his journey from grieving husband to full-contact fatherhood in the aftermath of profound loss. Shot on location in the stunning countryside of South Australia, the film is produced by Greg Brenman (”Billy Elliot”) and Tim White (”Ned Kelly”). The executive producers are Peter Bennett-Jones and Clive Owen.