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A young Arab man is sent to a French prison where he becomes a mafia kingpin.

Fenton Meeks (Matthew McConaughey), comes forth to tell the FBI that his brother Adam may be the serial killer who calls himself God’s Hands, who the FBI has been searching for. The film uses flashbacks to show Meeks’ childhood with a father (Bill Paxton) who believed he was on a mission from God to destroy demons that inhabit human bodies. Fenton saw his dad as evil, while Adam saw him as a hero.

Shortly after the Second World War, Max, a transplanted American, visits an English pawn shop to sell his trumpet. The shopkeeper recognizes the tune Max plays as one on a wax master of an unreleased recording, discovered and restored from shards found in a piano salvaged from a cruise ship turned hospital ship, now slated for demolition. This chance discovery prompts a story from Max, which he relates both to the shopkeeper and later to the official responsible for the doomed vessel, for Max is a born storyteller. Though now down on his luck and disillusioned by his wartime experiences, the New Orleans-born Max was once an enthusiastic and gifted young jazz musician, whose longest gig was several years with the house band aboard the Virginian, a posh cruise ship. While gaining his sea legs, he was befriended by another young man, the pianist in the same band, whose long unlikely name was Danny Boodman T.D. Lemons 1900, though everyone just called him 1900, the year of his birth. Abandoned in first class by his immigrant parents, 1900 was found and adopted by Danny, a stoker, and raised in the engine rooms, learning to read by reading horseracing reports to his adoptive dad. After Danny’s death in an accident, 1900 remained on the ship. Increasingly lured by the sound of the piano in the first-class ballroom, he eventually became a gifted pianist, a great jazz improvisationist, a composer of rich modern music inspired by his intense observation of the life around him, the stories passengers on all levels of the ship trusted him enough to tell. He also grew up to be a charming, iconoclastic young man, at once shrewd and oddly innocent. His talent earned him such accolades that he was challenged by, and bested Jelly Roll Morton in an intense piano duel that had poor Max chewing paper on the sofa in agonies of suspense. And yet for all the richness and variety of his musical expression, he never left the ship, except almost, once, in the aftermath of his infatuation with a beautiful young woman immigrant who inspired the music committed to the master Max discovers in the pawnshop. Max realizes that 1900 must still be on the ship, and determines to find him, and to find out once and for all why he has so consistently refused to leave.

In Italy, the American writer Sam Dalmas (Tony Musant) witnesses an attempt of murder of the owner of an art gallery, a couple of days before his foreseen return to the United States of America. He decides to stay with his girlfriend Julia (Suzy Kendall) and help the police in the investigation, while the serial killer stalks Julia and him.

Following the death of his father in Mexico, Stéphane Miroux, a shy insecure young man, agrees to come to Paris to draw closer to his widowed mother Christine. He lands a boring job at a calendar-making firm and falls in love with his charming neighbor Stéphanie. But conquering her is no bed of roses for the young man and the only solution he finds to put up with the difficulties he is going through is escape into a dream world…

A widower who realized his only connection to his family was through his wife sets off on an impromptu road trip to reunite with each of his grown children.

Fresh faced and naive, 17-year-old Bennie arrives in Buenos Aires to search for his older brother who has been missing for more than a decade. The family had emigrated from Italy to Argentina, but with the great musical success of their father Carlo, an acclaimed symphony conductor, the family moved from Argentina to New York. When Bennie finds his brother, the volatile and melancholy poet Tetro, he is not at all what he expected. In the course of staying with Tetro and his girlfriend Miranda, the two brothers grapple with the haunting experiences of their shared past.

War begets revenge. Victorious general, Titus Andronicus, returns to Rome with hostages: Tamora queen of the Goths and her sons. He orders the eldest hewn to appease the Roman dead. He declines the proffered emperor’s crown, nominating Saturninus, the last ruler’s venal elder son. Saturninus, to spite his brother Bassianus, demands the hand of Lavinia, Titus’s daughter. When Bassianus, Lavinia, and Titus’s sons flee in protest, Titus stands against them and slays one of his own. Saturninus marries the honey-tongued Tamora, who vows vengeance against Titus. The ensuing maelstrom serves up tongues, hands, rape, adultery, racism, and Goth-meat pie. There’s irony in which two sons survive.

Early in “Black Cobra,” Detective Robert Malone establishes himself as a maverick, uncompromising policeman when he guns down several criminals during a hostage standoff. Next, he finds himself protecting a female photographer who has witnessed a murder. She is sought by a moronic gang of motorcyclists who have been murdering and raping at will. Malone finds them, confronts them, and takes care of (police) business.

In the bourgeois circles of Europe after the Great War, can anything save the modern man? Harry Haller, a solitary intellectual, has all his life feared his dual nature of being human and being a beast. He’s decided to die on his 50th birthday, which is soon. He’s rescued from his solipsism by the mysterious Hermine, who takes him dancing, introduces him to jazz and to the beautiful and whimsical Maria, and guides him into the hallucinations of the Magic Theater, which seem to take him into Hell. Can humor, sin, and derision lead to salvation?